#Disintegration loops vinyl plus

A challenge for the orchestral treatments is that they must contrive the impression of decay in their arrangements, whereas it emerges as a natural outgrowth of the tapes. As well-intentioned as the live performances are (and valuable, too, in that both were previously unreleased), they're secondary to the original recordings, even if they're certainly interesting enough in their own right. The loop pieces are supplemented by two live orchestral renderings of вЂњDisintegration Loop 1.1,вЂќ a forty-two-minute version performed at The Metropolitan Museum of Art on Septemand a fifteen-minute version realized at The 54th Venice Music Biennale on October 18, 2008. Musically, the collection totals more than five hours of material, the longest sixty-four minutes (вЂњDisintegration Loop 1.1вЂќ)-in fact, closer to ninety-eight if its second and third parts are included-and the shortest eleven (вЂњDisintegration Loop 2.1вЂќ). It is there in the terrible beauty of the smoke and dust-filled sky over Ground Zero as the sun slowly sets and the frame slowly darkens, and in the music, which simultaneously consoles and unsettles as it slowly degrades.вЂќ All of this is present in The Disintegration Loops. Antony and Current 93's David Tibet contribute heartfelt texts to the book, but it's the words of Michael Shulan, Creative Director of the Memorial Museum that capture the experience concisely: вЂњ9/11 was a shattering day, and a shattering experience, but the way people reacted to it was uplifting and life-affirming. The set also includes The Disintegration Loops film on DVD, the remastered recordings on 5 CDs, and a 144-page full-color book featuring photos and commentaries, as well as background info by Basinski himself.

#Disintegration loops vinyl plus

What justification is there for reissuing it? To begin with, the original recordings have been remastered, plus they've never before been available in vinyl form (apparently, the box set is the first and only time the material will be offered in that format). Originally released in 2002 and scheduled for 2012 induction into the 9/11 Memorial Museum, The Disintegration Loops re-emerges in a limited-edition box set that includes pretty much every key artifact associated with the project. Then, on September 11th, Basinski witnessed the morning's events from his roof in Brooklyn, a mile away from the World Trade Center, and proceeded to watch the fires burn into the night with The Disintegration Loops playing in the background, the scene in front of him perhaps already forming itself in his thoughts as an inextricable part of the work. Having unearthed in 2001 a set of analog tape loops from his archives (produced in 1982, the tapes had lain undisturbed in Tupperware containers for close to two decades), Basinski discovered that while playing them, the tapes were, in a sense, dying because the magnetic material containing the sounds was flaking off during playback (to preserve what he was hearing, he recorded the sounds onto CDs as they played) and turning the music to dust. William Basinski: The Disintegration LoopsДЄ bit of background is necessary for anyone coming to William Basinski's The Disintegration Loops for the first time.